Day at the Smithsonian: Direct Carving and Experience America

Today I saw a couple great shows at the Smithsonian American Art Museum— Direct Carving and Experience America.

I often blanch at the heaviness of modern public sculpture. I stand in front of a piece and wonder what I’m supposed to feel. Direct Carving leaves me with no questions— you can see everything laid out before you.

Here’s a snip on Experience America:

The 1930s was a heady time for artists in America. Through President Franklin Roosevelt’s New Deal programs, the federal government paid them to paint and sculpt and urged them to look to the nation’s land and people for subjects. For the next decade —until World War II brought support to a halt—the country’s artists captured the beauty of the landscape, the industry of America’s working people, and a sense of community shared in towns large and small despite the Great Depression.

Many of the paintings in Experience America were created in 1934 for a pilot program designed to put artists to work; others were produced under the auspices of the WPA, which followed. The thousands of paintings, sculptures, and murals placed in schools, post offices, and other public buildings stand as a testimony to the resilience of Americans during one of the most difficult periods of our history.

Great stuff.

Bonus: Outwin 2016.

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