Aluminum and fiber-reinforced plastic; painted with polyurethane enamel
Four shuttlecocks, each 17 ft. 11 in. (5. 5 m) high x 15 ft. 1 in. (4.6 m) crown diameter and 4 ft. (1.2 m) nose cone diameter, sited in different positions on the grounds of the museum
Amazing. I took a bunch of photos of the installation and did nothing with them until this week.
I had to clean out my computer (of raw video, mainly), because it was getting down to zero space. One of the video projects I had in iMovie was one about this piece.
“Shuttlecock” is an odd word. Compound. British, in a Fawlty Towers sort of way. Funny, in a juvenile way. So when I was thinking about how to present it in video, the natural thought was to double down on the language and mash it up with the Revolting Cocks.
Anyone in Chicago in the late 80s (or anyone in the industrial/ noise scene) knows and loves the Revolting Cocks.
So here’s my mashup of two great artists
A mashup of a great sculpture and an industrial band singing a Rod Stewart cover.
So yesterday when I went to document the shrine, I went straight to the northeast corner, at the crash scene investigation site, to take a look. To my surprise, it wasn’t there, and the original shrine to the Virgin Mary remained.
As I noted nearly a decade ago, I believe whole-heartedly that this is a place where the Virgin Mary appeared in a salt stain. Why the hell wouldn’t I believe that? It’s easy.
Being a Catholic, I was pretty bummed about the continued genocide of the Assyrians. Having received a degree in anthropology, the destruction of artifacts stung bad. Being a human on Earth, I found the entire situation untenable.
Here’s the first photo from my conceptual art project, COLLABORATION STOCK PHOTOS, designed to recreate and propagate as many stock photos representing the word “collaboration” as possible.
Here’s the original image:
And here’s the re-creation:
My approach on this one was slavish re-creation, in part because we had the models, props, and venue at the ready today. I think I may have some more abstract approaches as time goes by.
I would describe this as “happy co-workers collaborating on a fun project. One person stands and draws on a whiteboard, creatively, while two others sit and learn. They are in a bright space. Fuzzed-out people in the background are clearly collaborating as well.”
If you find yourself in need of a photo like this, download it here in hi-res for free. It is licensed as Creative Commons 3.0